Royi Sal Jewelry has been providing OEM custom jewelry design services for more than a decade. Our designer team primarily works with retail jewelry … Read More >> about Bring Your Idea To Life With Royi Sal OEM Jewelry Designs
Unique, beautiful craftsmanship, elegance, beauty, and luxurious, exclusive designs are the specifications we always work on. We are the silver jewelry wearable experts who make your love and passion for silver jewelry one of a kind. With the high value placed on jewelry pieces such as rings you will wear for the rest of your […]
Not too many jewelry stores, designers, or brands are on TikTok. Joining Tik Tok brings your jewelry business at the forefront of an app that is continually exploding with popularity — fill that niche. After several months of using the app and get to have a general idea, noticeable changes occur. How much traction they […]
Working with gemstones can be rewarding but tricky. When a gemstone breaks, it can be one of the most frustrating things ever! Don’t worry, almost every jeweler has been there, and a broken gemstone doesn’t have to mean a wasted piece. Here are the 5 Top Tips When Your Gemstone Breaks.
If you don’t know how jewelry is made, a finished ring or necklace can seem like a miracle— it seems almost impossible for a person to make something so beautiful and delicate. It’s definitely not a miracle, though! Here are the 6 Customs in Jewelry Manufacturing Process.
One of the oldest jewelry-making methods, lost wax casting, dates back to the 3rd century BC. Having been lost and rediscovered many times throughout history, the lost wax casting process is still used today for casting metal alloys. Let us learn about The Jewelry Casting Process: Lost-Wax Casting.
If you’re new to the jewelry-making crowd, you may have come across the term – but what is lapidary? Putting it simply, lapidary is the art of working with gemstones. There are many different ways lapidarist work, but one of the most rewarding ways is to make jewelry with gemstones. Learn more about the 3 […]